Sophie Ellis Bextor - Read My Lips - (2001) [EAC-MP3@320KBPS] torrent download



Sophie Ellis Bextor - Read My Lips - [EAC-MP3@320KBPS]

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Sophie Ellis Bextor - Read My Lips



01.	Take Me Home			04:08

02.	Lover				03:24

03.	Move This Mountain		04:46

04.	Murder On The Dancefloor	03:51

05.	Sparkle				04:32

06.	Final Move			04:45

07.	I Believe			04:04

08.	Leave The Others Alone		04:09

09.	By Chance			04:13

10.	Universe Is You			03:39

11.	Is It Any Wonder		04:26

12.	Everything Falls Into Place	03:43



Biography	

Throughout the '90s the U.K. music scene was filled to the brim with nerdy cockney types sporting messy threads and even messier hair. Fresh faced Sophie Ellis-Bextor was amongst the first Brit-pop stars to break with this trend. She made it onto the stage in 1997 as the teenage vocalist behind new wave outfit Theaudience. Smartly dressed (often in black) and boasting a sexy, posh voice, she caused quite a stir on London's alternative circuit. Theaudience became known the world over as a groundbreaking pop act and even enjoyed success on the crowded U.K. singles chart with such imaginatively titled numbers as "I've Got the Wherewithal." Due to internal conflicts, however, the group split up and Ellis-Bextor went searching for success on her own. The solo thing wasn't really working out and it took her a while to re-emerge on the scene. But when she did, it was in late 2000 as a major star alongside Italian DJ/producer Spiller. The 6'9" Venetian had just put together a disco house number, titled "Groovejet (If This Ain't Love)," and was looking for a female vocalist to add spice to the work. Though very popular in the clubs as an instrumental, the track started selling like mad after Ellis-Bextor strutted her stuff over its deep grooves. It was a number one hit on singles charts around the world. Spiller and Ellis-Bextor both starred in the now famous film clip to the track, in which the Londoner's eye-popping set of cheekbones vied for supremacy with the Venetian's imposing stature. A year on, Ellis-Bextor was again making waves with the pop single "Take Me Home." Thanks to that effort, she beat the likes of Five to the number one spot on the U.K. singles chart. In their ongoing search for controversy, the British press even touted her as the main competitor to enormously popular Victoria Beckham, previously known as Posh Spice. That same year, Ellis-Bextor served up another chart-topper in the ultra-cool disco tune "Murder on the Dancefloor."

After the astronomical success of Groovejet, SEB's first solo album has a lot to live up to. Luckily it's pretty strong and shows her to be much more than a one-trick pony. This is a rather mature debut solo album, and it's obvious the experience she had fronting indie band theaudience is being put to good use.



Review.

After the astronomical success of Groovejet, SEB's first solo album has a lot to live up to. Luckily it's pretty strong and shows her to be much more than a one-trick pony. This is a rather mature debut solo album, and it's obvious the experience she had fronting indie band theaudience is being put to good use.

There are major 80s disco-pop undertones to this album, which is hardly surprising when its first track is an obscure Cher track. The retro-quirkiness continues throughout the album and Ellis-Bextor's ice-cool vocals compliment the (often stripped-bare) melodies. This is an undoubtedly very polished first effort, although there is a clump of pleasant yet forgettable tracks towards the end of the album.

How many good tracks? Seven, out of twelve

Best Track: Murder on the Dancefloor deserves to be an eternal disco classic.

Worst Track: Sparkle suffers from a rather generic sound and lacks a hook.

This is cool, sophisticated pop and is perfect getting-ready-to-go-out music, yet it's background enough to be a trendy dinner party soundtrack too. 

There are major 80s disco-pop undertones to this album, which is hardly surprising when its first track is an obscure Cher track. The retro-quirkiness continues throughout the album and Ellis-Bextor's ice-cool vocals compliment the (often stripped-bare) melodies. This is an undoubtedly very polished first effort, although there is a clump of pleasant yet forgettable tracks towards the end of the album.

How many good tracks? Seven, out of twelve

Best Track: Murder on the Dancefloor deserves to be an eternal disco classic.

Worst Track: Sparkle suffers from a rather generic sound and lacks a hook.

This is cool, sophisticated pop and is perfect getting-ready-to-go-out music, yet it's background enough to be a trendy dinner party soundtrack too.
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Sophie Ellis Bextor - Read My Lips - (2001) [EAC-MP3@320KBPS].torrent
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