Depeche Mode-Sounds Of The Universe-2009-EOSiNT torrent download



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      Originally released : 04-21-2009


      Release date        : 07-08-2009


      Album name          : Sounds Of The Universe


      Artist              : Depeche Mode





      Ripped by           : Team EOS


      Genre               : Rock


      Label               : Capitol





      Encoding Software   : Lame EOS


      Quality             : -V 2





      Tracks              : 13


      Size of Files       : 87,1 MB





      Track list 








        01  06:53  In Chains


        02  04:00  Hole To Feed


        03  03:14  Wrong


        04  04:10  Fragile Tension


        05  03:31  Little Soul


        06  04:55  In Sympathy


        07  04:29  Peace


        08  05:16  Come Back


        09  01:53  Spacewalker


        10  04:33  Perfect


        11  04:15  Miles Away Truth Is


        12  04:42  Jezebel


        13  08:59  Corrupt








                                Total time: 60:50 min


     Release notes 





     2005's Playing the Angel proved to be one of Depeche


     Mode's strongest albums &mdash; the combination of Ben


     Hillier's production, the emergence of David Gahan as a


     songwriter following his initial solo effort and a


     clutch of striking songs that openly embraced


     arena-level bombast following the much more subtle


     Exciter resulted in wide praise and a well-received


     tour. As a result &mdash; especially given the return of


     Hillier, the first producer to work on two Depeche


     albums in a row since Flood's heyday with Violator and


     Songs of Faith and Devotion &mdash; Sounds of the Universe


     was initially suspected of being Playing the Angel


     redux, something the swaggering lead single "Wrong"


     didn't undercut at all. After all these years, though,


     Depeche can still pull out surprises, and what's quite


     astonishing about Sounds is how they've returned to the


     equipment and textures of their early-'80s work in


     particular while reworking it to match both Gahan and


     Martin Gore's current lyrical and songwriting


     techniques. On balance, Sounds is one of Depeche's


     lower-key albums, but not without explosive or dramatic


     moments by any means, though. "Come Back," one of


     Gahan's three songwriting contributions, captures a


     sudden sense of vast space right from its start, the


     deep-chugging percussion and reverberation perfectly


     contrasting the soft chimes on the verses, while


     "Peace," with an opening bassline straight out of the


     days of the band's pop-industrial phase, and a stellar


     vocal turn from Gahan, is an absolute high point. But


     "In Chains," the slow-building start to the disc, sets


     the tone best for Sounds as a whole, with a hushed


     keyboard introduction, Gahan's swoon-worthy vocals


     (showcasing some of his best falsetto work yet), Gore's


     compressed funk guitar blasts and, above all else, the


     sense of older styles and sounds &mdash; classic drum


     machines, early synthesizers, a rumbling bass


     undercarriage &mdash; serving new purposes. More overt nods


     to earlier days appear with songs such as "Fragile


     Tension" and "In Sympathy," both featuring keyboards


     and beats sounding beamed in from A Broken Frame days


     but also with beautiful vocals that the younger Gahan


     could never have so easily done and guitar textures


     that the younger Gore had yet to fully embrace.


     "Perfect," meanwhile, almost reaches back to Speak &


     Spell thanks to an opening keyboard line that


     immediately calls the song "Puppets" to mind, but again


     it's more of a launching point for the current band's


     sound rather than a simple exercise in retrospection.


     Gore's sole lead vocal appears towards the end of the


     album on the enjoyable if understated "Jezebel," but


     his uncanny knack for harmonizing with Gahan throughout


     remains intact, with stand-out performances including


     the understated clatter and chime of "Little Soul" and


     his bravura turn toward the end of "Wrong." On the


     whole, Sounds of the Universe is a grower, relying on a


     few listens to fully take effect, but when it does, it


     shows Depeche Mode are still able to combine pop-hook


     accessibility and their own take on "roots" music for


     an electronic age with sonic experimentation and


     recombination &mdash; not bad for a band with almost three


     decades under its collective belt.
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