Davie Allan & The Arrows - 11 albums - Abrasax

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Davie Allan & The Arrows - 11 albums - Abrasax





CDrip:


Davie Allan & The Arrows - 11 albums


RELEASED: Different 


RECORDED: Different


LABEL: Different


FORMAT: CD + Vinyl


PRODUCER: Different


BITRATE: 320 (one album in 192)





Albums:


Davie Allan & the Arrows - Apache '65 - 1965@320


Davie Allan & the Arrows - Blues Theme - 1967@320


Davie Allan & The Arrows - Cycle Breed - 2006@320


Davie Allan & the Arrows - Cycle-Delic Sounds - 1968@320


Davie Allan & the Arrows - Devils Angels_OST (1967)@320


Davie Allan & The Arrows - Fuzz Fest@192


Davie Allan & The Arrows - Fuzz For The Holidays@320


Davie Allan & The Arrows - Loud, Loose and Savage - 1994@320


Davie Allan & The Arrows - The Wild Angels And Other Themes - 1966@320


Davie Allan & The Arrows - The Wild Angels_OST@320


Davie Allan & The Arrows - The Wild Angels Vol.II_OST@320





Davie Allan is a guitarist best known for his work on soundtracks to various teen and biker movies in the 1960s. Allan's backing band is almost always the Arrows (i.e., Davie Allan & the Arrows), although the Arrows have never been a stable lineup.





Early Davie Allan & the Arrows tracks were stereotypical instrumental surf numbers, with clear-as-a-bell guitar sounds and light, crisp drum work. Though these sides were good musically, and modestly successful commercially (“Apache '65” became a local radio hit), Allan would find his greatest success when his sound mutated soon thereafter.


When Curb assigned soundtrack duties for biker film The Wild Angels to Allan and the Arrows, it would prove a breakthrough success. The song from the film's opening, “Blues' Theme” (sometimes listed as “Blue's Theme”), an aggressive, repetitive and very catchy instrumental showcasing Allan's new fuzzed-out (heavily distorted) guitar sound became their biggest hit (it was also one of the first songs Eddie Van Halen learned to play on brother Alex's guitar). The song stayed on the Billboard charts for 17 weeks (it peaked at #37); the single, backed with “Bongo Party,” and the soundtrack album both sold well.





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