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Randy Crawford & Joe Sample-Feeling Good (2007)-No Regrets(2008) 320k[Smooth Jazz]
Randy Crawford & Joe Sample-Feeling Good (2007)-No Regrets(2008) 320k[Smooth Jazz]
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Randy Crawford & Joe Sample - Feeling Good
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Artist...............: Randy Crawford & Joe Sample
Album................: Feeling Good
Genre................: Jazz
Source...............: NMR
Year.................: 2007
Ripper...............: NMR
Codec................: LAME 3.98
Version..............: MPEG 1 Layer III
Quality..............: Insane, (CBR 320kbps)
Channels.............: Joint Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
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Tracklisting
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1. (00:04:03) Randy Crawford & Joe Sample - Feeling Good
2. (00:03:27) Randy Crawford & Joe Sample - End Of The Line
3. (00:03:52) Randy Crawford & Joe Sample - But Beautiful
4. (00:05:06) Randy Crawford & Joe Sample - Rio De Janiero Blue
5. (00:04:26) Randy Crawford & Joe Sample - Lovetown
6. (00:04:57) Randy Crawford & Joe Sample - See Line Woman
7. (00:02:57) Randy Crawford & Joe Sample - Tell Me More And More And Then Some
8. (00:03:53) Randy Crawford & Joe Sample - Everybody's Talking
9. (00:04:13) Randy Crawford & Joe Sample - When I Need You
10. (00:03:21) Randy Crawford & Joe Sample - Save Your Love For Me
11. (00:04:15) Randy Crawford & Joe Sample - Last Night At Danceland
12. (00:05:20) Randy Crawford & Joe Sample - All Night Long
13. (00:03:17) Randy Crawford & Joe Sample - Mr. Ugly
Playing Time.........: 00:53:06
Total Size...........: 122.72 MB
NFO generated on.....: 05/01/2009 06:19:01
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Randy Crawford & Joe Sample - No Regrets
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Artist...............: Randy Crawford & Joe Sample
Album................: No Regrets
Genre................: Jazz
Source...............: NMR
Year.................: 2008
Ripper...............: NMR
Codec................: LAME 3.98
Version..............: MPEG 1 Layer III
Quality..............: Insane, (CBR 320kbps)
Channels.............: Joint Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
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Tracklisting
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1. (00:04:19) Randy Crawford & Joe Sample - Starting All Over Again
2. (00:05:05) Randy Crawford & Joe Sample - Everyday I Have the Blues
3. (00:03:34) Randy Crawford & Joe Sample - Today I Sing the Blues
4. (00:05:45) Randy Crawford & Joe Sample - Respect Yourself
5. (00:04:08) Randy Crawford & Joe Sample - Angel
6. (00:02:14) Randy Crawford & Joe Sample - Me,Myself And I
7. (00:04:22) Randy Crawford & Joe Sample - Just One Smile
8. (00:03:08) Randy Crawford & Joe Sample - Don't Put All Your Dreams In One Basket
9. (00:03:59) Randy Crawford & Joe Sample - This Bitter Earth
10. (00:03:01) Randy Crawford & Joe Sample - No Regrets
11. (00:04:14) Randy Crawford & Joe Sample - Lead Me On
12. (00:03:46) Randy Crawford & Joe Sample - Angel Of The Morning
Playing Time.........: 00:47:34
Total Size...........: 109.01 MB
NFO generated on.....: 05/01/2009 05:25:56
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Randy Crawford
Randy Crawford's initial notoriety came from her fiery vocal on "Street Life," a 1979 song matching her with the Crusaders that was included on the soundtrack for Burt Reynolds' film Sharky's Machine. Crawford was born in Macon and grew up in Cincinnati; she worked in clubs as a teen, accompanied by her father. Crawford was lead vocalist in a group that included bassist Bootsy Collins before touring as George Benson's opening act in 1972. Cannonball Adderley invited her to sing on his LP Big Man. Crawford recorded "Don't Get Caught in Love's Triangle," a song produced by Johnny Bristol, during a short stay on the label. She soon moved to Warner Bros., and after "Street Life," recorded and toured Europe with the Crusaders. Crawford was tabbed Most Outstanding Performer at the 1980 Tokyo Music Festival. She remained with Warner Bros. through the '80s and early '90s, but was unable to score either a big R&B hit or major crossover smash, despite having one of the most readily identifiable voices and distinctive approaches of any contemporary female vocalist. She's been more successful overseas, particularly in England, where such singles as "Knocking on Heaven's Door," "Rainy Night in Georgia," and "Last Night at Danceland" have gotten universal acclaim.
Biography: ~ All Music Guide
Joe Sample
One of the many jazzmen who started out playing hard bop but went electric during the fusion era, Joe Sample was, in the late '50s, a founding member of the Jazz Crusaders along with trombonist Wayne Henderson, tenor saxman Wilton Felder, and drummer Stix Hooper. The Crusaders' debt to Art Blakey's Jazz Messengers wasn't hard to miss -- except that the L.A.-based unit had no trumpeter, and became known for its unique tenor/trombone front line. Sample, a hard-swinging player who could handle chordal and modal/scalar improvisation equally well, stuck to the acoustic piano during the Crusaders' early years -- but would place greater emphasis on electric keyboards when the band turned to jazz-funk in the early '70s and dropped "Jazz" from its name. Though he'd recorded as a trio pianist on 1969's obscure Fancy Dance, 1978's Rainbow Seeker was often described as his first album as a leader. In contrast to the gritty music the Crusaders became known for, Sample's own albums on MCA and, later, Warner Bros. and PRA have generally favored a very lyrical and introspective jazz-pop approach.
Biography: ~ All Music Guide
Feeling Good
Randy's voice sounds wonderful and Joe Sample's piano playing and arrangements are wonderfully sparse. A real change from the usual big band arrangements of this type of music. Most of the songs are popular old favourites and Everybodys Talking and Rio de Janeiro Blue are my favourites. If you liked Randy in the 70s and 80s you will enoy this as well
No Regrets
Extraordinary how little Randy Crawford's voice has changed in the three decades since the glossy rhythms of Street Life dominated the charts. Back again, on tour with the Crusaders pianist Joe Sample, she has been digging deeper into the jazz tradition. The urbane, uptown blues ballads of the late, great Charles Brown provide a role model this time, as her old friend Tommy LiPuma directs proceedings from the studio console. Given Crawford's sunny persona, she gets a surprising amount of mileage out of Every Day I Have the Blues and Respect Yourself, while the accompaniment is always direct and unfussy.
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